DESTROYED EARLY WORKS
| A Man Walks Towards, 2024 7 minutes 23 seconds Claudia X. Valdes, video William Fowler Collins, music | Beautiful Illusions, 2020 Suite of 18 photographs Archival Carbon Pigment Ink each 15″ x 18.75″ | ARCHIVE, VOLUME 1, 2017 Expanded Photo Book Suite of 16 Archival Pigment Prints Dimensions Variable 11″ x 14″ – 11″ x 29″ |
| Judgment, 2016 Photo Installation Archival Pigment Print on Japanese Kozo Paper 92” x 92” | For the Future, With Love, 2015 Double-sided Flag 3′ x 5′ | DIALOGO, 2014 6 minutes 8 seconds Immersive Fulldome Video Claudia X. Valdes, video William Fowler Collins, music |
| Chiron (Echo), 2014 Series of 15 photographs Archival Pigment Prints on Hahnemühle Photo Rag 3 additional images produced in Platinum, Palladium, Gold dimensions variable | The Sixth Magnitude, 2011-12 10 minutes 3-channel immersive audio-video installation Claudia X. Valdes, video William Fowler Collins, music | Minutes to Midnight, 2008 10 min 26 sec (silent) Super 8 transferred to Digital Video Installation: dimensions variable |
| Jornada del Muerto, 2009 40 minute performance, in 4 parts Live video performance, Claudia X. Valdes Live experimental guitarist, William Fowler Collins | TRINITY TEST SITE, NM, 2006-2008 Survival performances Fear and flight performances Performance of responses for nuclear survival at the Trinity Test Site on White Sands Missile Range in New Mexico. | ALPHA.OMEGA, 2007 Duratrans on Lightbox 26″ x 40” |
| White City of the Future, 2006 9 min 30 sec Digital Video Installation: dimensions variable | In the Dream of the Planet, 2002 7 min 40 sec Digital Video Installation Included in the 2016 book: ART IN THE MAKING: Artists and their Materials from the Studio to Crowdsourcing | Sacrament, Conversion, etc., 2001 2-channel Installation Watercolor on wall with video projection |
| #261, 2005 9 minutes Digital Video Installation | 192:291, 2002/2009 5 minutes Digital Video Installation | 11th Hour Archive, 2002 – ongoing Collected Public Narratives |
| Fractal, 2001 3 channel video installation created for University of California, Berkeley Dance Theater Claudia X. Valdes, artist Christopher Dolder, choreographer Edwin Duggar, composer | Suppressing the Dream, 2001 4 min 49 sec Digital Video | Untitled (Once), 2000 oil on 5′ x 6′ canvas with 13min video projection in loop (deauthenticated in 2024. collection of S.H.) |
| Bardos, 2000 4 minutes Digital Video |
TO BE DESTROYED EARLY WORKS
| Cane Lugubre, Memorans Illum Finem, 2019 1 minute 56 seconds (loop) Sound Art Claudia X. Valdes, concept, mixing and vocals William Fowler Collins, recording | Interlude, 2000 Two 20″x16″ canvases Oil painting, photograph, and 9 minute video projection in loop | REVELATION 2213, 2009 Interactive Networked Installation Computer, external hard drive, LCD monitor, video camera, foot pedal, custom software |
| Sites of Trauma, 2002 Suite of 6 Oil on wood 3.5″ x 45” overall 3.5″ x 5″ each panel | Recurring Dream, Nine, 2002 Digital print on board, video monitor, and 10 min digital video on DVD 48″ x 60″ | BLASTS ( #1, #2, #3), 2005 Suite of 3 images Watercolor and guache on paper 11″ x 14” |
| TESTS, 2006 Suite of 12 images Watercolor and guache on paper 11″ x 16″ each | Trinity Site Series, 2007-08 Series of 10 C-prints Dimensions vary: 18″ x 13.5″ through 48″ x 64″ Included in the 2009 book w/associated conference: Human Futures: Art in the Age of Uncertainty |
IMPOSSIBLE TO DESTROY EARLY WORKS
| Mesa Ritual, 2014 Album Artwork LP cover photograph Cassette Tape cover, photograph Cassette Tape Insert, photograph (William Fowler Collins + Raven Chacon) SIGE RECORDS Ranked #1 in Village Voice: The Best Noise Music in 2014: The Year’s Top 36 Noise Cuts | Hallucinating Loss, 2022 Album Artwork (William Fowler Collins) WESTERN NOIR | for Heidegger, 2019 Platinum, Palladium, Gold photograph One of a kind, edition of 5 (only 3 produced) each 6″ x 7.7″ (3 in private collection) |
| Field Music, 2018 Album Artwork (William Fowler Collins) SIGE RECORDS | Under Stars And Smoke, 2016 Album Artwork (William Fowler Collins + James Jackson Toth) BLACKEST RAINBOW RECORDS LP and Digital | His Memory, Like the World’s, Was Getting Spotty, 2006 Dyptich of C-Prints each 24″ x 30” (in private collection) |
| Tenebroso, 2012 Vocals for track “Tapeta Lucida” (William Fowler Collins) HANDMADE BIRDS | Everything Matters, 2014 Digital Prints on Metallic Paper 5.5” x 8” (1 in museum collection) | Biofeedback and the Arts: Listening as Experimental Practice, 2005 New Media Scholarship co-authored with Phillip Thurtle Explores experiments with biofeedback in the arts in order to more fully understand the aesthetic and affective domains of consciousness. Archived on the Media Art Histories site. |
| From Spiderman to Alba: Transgenics in a Post-Nuclear World, 2007 New Media Scholarship co-authored with Phillip Thurtle Explores post-1945 bio-mutants, in science fiction and comic superheros, as conceptual precursors to contemporary bio-art practices. The full paper is archived by CIANT. |